Music
Seyi Vibez’s Fuji Moto: The Power, The Promise, and the Parts That Don’t Connect
Seyi Vibez has spent the last two years turning relentless output into identity. Multiple projects, endless singles and a street-pop...
One Year Later: How Wizkid’s Morayo Became a Quiet Legacy Marker
A year after its release on 22 November 2024, Wizkid’s Morayo reads differently from its arrival moment. When it dropped, the conversation...
Nonso Amadi’s “TO CRY A FLOOD” Is Heartbreak in Motion
Nonso Amadi’s To Cry A Flood is a study in emotional discipline. Six tracks, sixteen minutes, and a rare sense of control....
King Perryy Unleashes Continental Rave, a High-Energy EP Built for Detty December
King Perryy has never been an artist who settles in one lane, and with Continental Rave, he doubles down on his...
Audience Fatigue: Is Nigerian Music Over-Saturated, and Are We Consuming It Properly?
The global music landscape, particularly the Nigerian music scene, is grappling with a paradox of digital abundance that borders on...
How Nigerians are Enablers of Mediocrity in the Music Industry
We are living through a global Afrobeats phenomenon, an export machine that has captured dance floors from Lagos to London,...
MOLIY and Tyla unite for new single ‘Body Go’
Two of Africa’s brightest voices deliver a Pan-African dance anthem Ghanaian-American sensation MOLIY makes her triumphant return with the electrifying new...
Peruzzi Finds Peace and Power on “Sabali” — A Comeback Rooted in Calm
Peruzzi has always written like someone who’s lived many lives. The hits, the hooks, the heartbreaks — from “Majesty” to...
Sir Bright Chimezie Returns With “Ozongali”: A Highlife Lesson in Love and Harmony
Sir Bright Chimezie has been telling Nigeria’s story long before streaming came into the picture. The man behind the “Zigima...
Adekunle Gold’s ‘Fuji’ Isn’t a Museum Piece — It’s the Full Expression of Who He Is
If you ever needed a manual on how to rebrand and build yourself from the ground up to prominence as...
