Afrobeats
Seven Things the Nigerian Music Industry Needs to Abandon in 2025
These habits probably aren’t disappearing. We’re realistic about that. But if they can’t be abandoned completely, can we at least...
Shallipopi’s ‘Auracle’ Album Review: His Best Yet or a Western Gamble?
Very much has been expected of Shallipopi, yet also at the same time, nothing much has been expected of him....
Seyi Vibez’s Fuji Moto: The Power, The Promise, and the Parts That Don’t Connect
Seyi Vibez has spent the last two years turning relentless output into identity. Multiple projects, endless singles and a street-pop...
One Year Later: How Wizkid’s Morayo Became a Quiet Legacy Marker
A year after its release on 22 November 2024, Wizkid’s Morayo reads differently from its arrival moment. When it dropped, the conversation...
Audience Fatigue: Is Nigerian Music Over-Saturated, and Are We Consuming It Properly?
The global music landscape, particularly the Nigerian music scene, is grappling with a paradox of digital abundance that borders on...
Peruzzi Finds Peace and Power on “Sabali” — A Comeback Rooted in Calm
Peruzzi has always written like someone who’s lived many lives. The hits, the hooks, the heartbreaks — from “Majesty” to...
Adekunle Gold’s ‘Fuji’ Isn’t a Museum Piece — It’s the Full Expression of Who He Is
If you ever needed a manual on how to rebrand and build yourself from the ground up to prominence as...
Inside the Afrobeats Economy: How Much Do Nigerian Artists Really Earn From Streaming?
Afrobeats is everywhere right now. Stadium tours are selling out, playlists are full of Nigerian records, and the diaspora has...
1da Banton drops intoxicating new single ‘PAWON’
Following the critical acclaim of his previous single, HIGHSTAR, Nigerian hitmaker 1da Banton returns with a guaranteed smash, the irresistibly infectious PAWON. Produced by...
3 Things We Love About Olamide’s Olamidé
Not liking Olamide is already a red flag. But not loving his new album? Yeah, you might be a terrible...
